Living and Lounge

Nelson Pedestal Stool and Table

Designed by George Nelson, 1954

Elegant and unapologetically playful, George Nelson’s vibrant Pedestal Stool is a welcome reissue of its original 1954 design. It shifts effortlessly from everyday spaces to formal settings, with a compact size that allows it to fit into lighter spaces or to be grouped together in a larger environment to add color, interest, and utility.

Ever the pragmatist, Nelson incorporated the same slim, sculptural base found on this stool into his Pedestal Table. With clean, graceful lines, the versatile classic comes in three sizes with different finish options, and may be used casually or formally in a variety of ways: end table, coffee table, or café table.

Nelson Pedestal Stools in Divina Melange/Color 7640 by Kvadrat from Maharam, White base. Nelson Pedestal Tables in White laminate top, White base (as shown).

Nelson Pedestal Table in White Ash top, White base (left).

I Beam Coffee Table

Designed by Ward Bennett for Geiger, 1963

Ward Bennett consistently used one approach in his work: seeing beyond the surface to reduce a design to its very essence. This ethos manifests fully in his versatile I Beam Table. Based on a section of supportive I beam, the table co-opts the form, texture, and tone of twentieth-century architecture’s iconic building material. Alone, its powder-coated cast aluminum base acts as a clean, durable pedestal or side table. Topped with glass or stone options, it functions as a quietly refined coffee table around which a range of seating may be comfortably placed. Without trying to make a statement, the design brings subtlety and sophistication to any space.

I Beam Coffee Table shown in Glass top, Black cast aluminum base.

Sled Chair

Designed by Ward Bennett for Geiger, 1963

This timeless design by Ward Bennett draws the eye downward to its distinctive base, a straightforward X shape welded from tubular steel and mounted on parallel rails. Understated and effortlessly graceful, the chair’s seat and back comfortably cradle the sitter. Sophisticated without being showy, it can be upholstered in most textile or leather options and placed within a variety of environments calling for elegant seating solutions, from an executive suite to a lobby lounge to a home office.

Sled Chair in Luggage MCL Leather, Satin Chrome frame (as shown).

Sled Chair in Black leather, Satin Chrome frame (left).

Full Round Table

Designed by Ward Bennett for Geiger, 1964

Refined materials unite with perfect proportions to make these enduring rectangular and square table designs by Ward Bennett both elegant and adaptable. Durable one-and-one-quarter-inch tubular metal helps form the frame for each piece—and also serves as the inspiration for the name for both designs. The practical, versatile surfaces are available in a full range of finish and tabletop options to complement a diverse array of interiors and to serve multiple applications everywhere we live and work, at home and in the office.

Full Round Table in Oak top/Burnt Oak finish, Satin Chrome frame (as shown).

Full Round Table in Oak top/White Ash finish, Satin Chrome frame (left).

H Frame Credenza

Designed by Ward Bennett for Geiger, 1963

Updated with modern mechanisms and new material options, H Frame Credenzas offer an exquisitely modular solution for display and storage. Bracketed by metal uprights, the versatile pieces vary in width from one to four precisely proportioned units that may be configured in a combination of open shelves, file drawers, enclosed storage, and pencil drawers. The credenzas, along with H Frame Coffee and Side Tables, are available in a selection of finishes that add elegance and practicality to any contemporary environment.

H Frame Credenza in Georgia Grey Marble top, Satin Chrome frame (as shown).

H Frame Credenza in Walnut finish, Satin Chrome frame (left).

Noguchi Table

Designed by Isamu Noguchi, 1948

An icon of twentieth-century design, this visionary table fuses art and the everyday within its graceful silhouette. Sculptor Isamu Noguchi created his distinctive table by balancing a freeform glass top on two solid wood legs that interlock to form a self­stabilizing tripod. The artful result does not diminish its practical design—a sturdy and durable table, now available in a white ash, as well as Noguchi black, walnut, and natural cherry base finish options. Noguchi’s most recognized work, the piece is a true marriage of form and function. “Everything is sculpture,” explained Noguchi.

Noguchi Table shown in Glass top, White Ash base.

Scissor Chair

Designed by Ward Bennett for Geiger, 1968

Ward Bennett excelled at paring designs down to the simplest denominator, while also finding comfort in every piece he created. This design, which he described as his most comfortable chair ever, is evidence of how he achieved that balance. Inspired by the hammock-style chaise transatlantique, the deck chair popular on ocean liners of the past, it blends minimalist looks with functional portability, making it a practical choice for private and public spaces alike. Available in a metal or wood frame and a range of upholstery options.

Scissor Chair shown in Stone MCL Leather, Ash frame/Burnt Oak finish.

Eames Sofa

Designed by Charles and Ray Eames, 1967
First produced in 1984

This graceful, luxurious sofa is the last piece of furniture produced by the Eames Design Office. Fittingly, it places emphasis on beautiful materials and simplified forms. An angled profile and clean planes showcase its combination of rich walnut or teak, polished aluminum, and soft upholstery, which now includes new MCL Leather options. Designed to complement the Eameses’ plush soft pad chairs and sleek chaise, the 2- or 3-seat sofa also harmonizes effortlessly with other Collection pieces—and exemplifies the best in furniture design at work and at home.

Eames Sofa in Mamara/Sea Mist by Place Textiles, Walnut and Polished Aluminum frame (as shown).

Eames Sofa in Pearl MCL Leather, Walnut and Polished Aluminum frame (left).

Eames Molded Plywood Family

Designed by Charles and Ray Eames, 1946

Innovation and problem-solving drove everything Charles and Ray Eames produced. Their development of a technique to mold sheets of lightweight plywood veneer into gently curved shapes helped revolutionize splints for the Navy during World War II. Afterward, it helped revolutionize the design of modern furniture. The introduction of their molded plywood lounge chair—in both wood and metal base options—imparted a hard material with a soft appearance, creating an inviting seat of unlikely comfort. Soon after, the material took shape as these now-classic coffee tables, dining chairs, and folding screens.

Eames Molded Plywood Lounge Chair with Wood Base in Santos Palisander wood veneer (as shown).

Eames Molded Plywood Lounge Chair with Wood Base in White Ash wood veneer (left).

Eames Aluminum Group Lounge Chair

Designed by Charles and Ray Eames, 1958

The Eames Aluminum Group Lounge Chair has offered an enduring, graceful silhouette since its first inception in 1958 as outdoor seating for industrialist J. Irwin Miller’s home. Supportive and sculptural, the high-backed lounge has a deep “sitting pocket” and aluminum frame and base that keep it comfortable, strong, and easy to move.

Simple lines, innovative use of materials, and suspension comfort have kept the lounge chairs among the most popular seating choices for relaxing at home and at work, informally and formally. It is available with optional tilt swivel; a return to a 4-star base brings the classic design back to the Eameses’ original intent.

Eames Aluminum Group Highback Lounge in Pearl MCL Leather, Lava MCL Leather headrest, Polished Aluminum frame (as shown).

Eames Aluminum Group Highback Lounge in Black MCL Leather, Graphite Satin frame (left).

Eames Table with Stone Top and
Universal Base

Designed by Charles and Ray Eames, 1968

Four stone top options, each cut to order and hailing from a North American quarry with ties to historic American design, update Charles and Ray Eameses’ simple, versatile table design. Available in a choice of shapes and sizes, each stone option is set atop a strong, durable 4-leg universal base in polished aluminum or a powder-coated finish for outdoor use. With the inimitable Eames touch, each piece offers its own take on elegance and function, blending effortlessly in any environment as a cocktail or coffee table, dining or work table.

Eames Table Universal Base Round in Georgia White Marble top, Graphite Satin column, Graphite Satin base (as shown).

Eames Table Universal Base Square in Georgia Grey Marble Top, White column, White base (left).

Eames Aluminum Group Lounge Chair
Eames Soft Pad Group Lounge Chair

Designed by Charles and Ray Eames, 1958, 1969

The Eames Aluminum Group Lounge Chair has offered an enduring silhouette since its first inception in 1958 as outdoor seating for industrialist J. Irwin Miller’s home. Supportive and sculptural, the lounge has a deep “sitting pocket” and aluminum frame and base that keep it comfortable and easy to move. In 1969, the Eameses extended the design by adding generously plush cushions, creating the Soft Pad line.

Simple lines, innovative materials, and suspension comfort have made the chairs popular choices for relaxing at home and at work. Both offer optional tilt swivel; a return to a 4-star base brings them back to the Eameses’ original intent.

Eames Soft Pad Lounge Chair in Black MCL Leather, Polished Aluminum frame (as shown).

Eames Soft Pad Lounge Chair in Pearl MCL Leather, White frame (left).

Eames Lounge Chair and Ottoman

Designed by Charles and Ray Eames, 1956

Boasting the “warm, receptive look of a well‐used first baseman’s mitt,” this chair and ottoman have been instantly recognizable since their introduction. An innovative amalgam of traditional club chairs and the Eameses’ experiments in molding wood, the set has not only endured—it has become one of the most significant furniture designs of the twentieth century.

Veneer Options
Plywood shells are available in cherry, walnut, santos palisander, and white ash, a new veneer finished with a process that arrests wood in a “freshly cut” state, resulting in a creamy white color that resists yellowing. Both santos palisander and walnut are also offered in a hand‐rubbed oil finish, which resembles the look of the original design.

Eames Lounge Chair and Ottoman shown in Pearl MCL Leather, White Ash frame.