Fueled by beef jerky and chocolate milk, David Foster is an industrial designer who dabbles in a little of everything; research to writing, visual to textual, it’s all interesting—it’s all fun.
What will the future look like? To answer that question, we worked with students from two U.S. design schools, Cranbrook Academy of Art and the Pratt Institute, to help them realize their vision. The results were on display this week at the International Contemporary Furniture Fair (ICFF) in New York—and even won an award.
Each school worked within a theme. Cranbrook students contemplated the challenges of the modern office, imagining a work culture in which living and working blend even more deeply than they do today. The students at Pratt sought to create designs that balance body and mind in ways that potentially increase health benefits and elevate mood and productivity while providing a greater degree of personal satisfaction from the user experience.
The students collaborated closely with Herman Miller. As Gary Smith, our Director of Design Facilitation & Exploration, noted, “The process helped the students understand the complex set of voices beyond the designer’s own, which are necessary to achieve commercial success.”
The resulting designs offer a look at the future from the people who will be creating it.
Herman Miller Creative Director Ben Watson introduces our New York City pop up shop in this video for design blog PSFK. Open until July 1, 2012, Pop Up is an opportunity for everyone to meet the Herman Miller Collection: classic designs from our archives alongside new pieces from our contemporary design partners.
Stop by if you’re in the neighborhood.
Herman Miller Pop Up Shop
68 Wooster Street, Soho
New York, NY 10012
Store Hours:
M-Sat 11-7
Sun 12-5

Charles Eames once said, “Recognizing the need is the primary condition for design.” More than words, the works of Charles and his wife Ray are an embodiment of that philosophy. Problem solving and innovation were their hallmarks, but the seed for every design began by recognizing a need.
Essential Eames is a traveling exhibition tracing the life and work of the Eameses. A collaboration between Herman Miller and the Eames office, the show invites visitors to dive into the many facets of Charles and Ray, from architecture to film, and from toys to products and furniture.
Beginning in Hong Kong as part of Herman Miller Reach, the successful exhibition has recently moved to Jakarta, Indonesia, where will be open until June 22.
More information here.
For University of Washington student Erik Alskog, “It’s the students who make campus green.” Busy thinking up new ways to make their school earth friendly, Alskog and his fellow classmates are redefining what it means to be green. They challenge us to imagine bike-powered monorails connecting campus with the surrounding areas where students live; new forms of wind farming that mimic swaying blades grass; and products designed to last a hundred years.
Alskog was one of three winners in our third annual Student Video Contest. We posed the question, “What makes your campus green?,” students everywhere responded, and viewers selected the winners.
Alskog is not alone in thinking of the future; students today see themselves as green innovators working to make their campuses more environmental.
To see some of the other great videos we received, click here.

Meridian filing and storage units are one of the first products to use counterweights made from the new cement mix containing recycled powdercoat.
Designing for a Better World means being mindful of the environmental impact of our products. In the past this led us to discontinue rosewood until a sustainable alternative could be found. Today it means eliminating one of our largest landfill items: the overspray from our powdercoating process.
Working in collaboration with a local West Michigan supplier, VanderWall Brothers Concrete, Herman Miller has found a way to recycle leftover powdercoat into a cement mix. The mix is used to make the counterweights that sit in the bottom of filing and storage units, preventing them from tipping over when the drawers are extended.
Testing has even shown the recycled powdercoat improves the binding qualities of the cement, producing a stronger block.It may even have applications in construction products.
Solving an industry-wide problem, we decided to share the new process with all of our competitors, ensuring that maximum environmental impact.
From stone-tipped axes to powerful 3D computer modeling programs, technology has always allowed design to push the boundaries of possibility.
The Atlantic recently included the Herman Miller SAYL chair, designed by Yves Béhar, on their list of designs using new technology to challenge the conventional understanding of how good design looks, feels, and functions. We are in good company. Visit the Atlantic to see the complete list.
Serving as the Creative Directors of Herman Miller’s Specialty and Consumer division since 2010, BassamFellows’ Craig Bassam and Scott Fellows have been part of the brain trust curating the Herman Miller Collection. “We teach each other new things,” says Fellows. “We’re learning a lot about industrial production at a large scale, and they’re [Herman Miller] learning from us that hand or touch, the little details, that make all the difference.”
Giving life to George Nelson’s concept of the living room and the work room melding together have had BassamFellows looking through the old catalogs and designs to identify pieces and get them to the people. The collection features many well-loved pieces such as Nelson’s X- leg table and Eames chairs reinvented in new materials.
The Herman Miller Collection celebrates the past and present with more than 200 products. Added to this will be new furniture and accessories from today’s most talented designers.
The Collection will be making its first public display in the Herman Miller Pop Up Shop designed by BassamFellow. Located in the heart of New York City’s Soho district, the Pop Up Shop will open May 9 and run through July 1, 2012.
Recently in the Wall Street Journal, Brian Kane revealed that every design begins the same way: with paper and a pencil. “That is my favorite part of the process—having a good concept come alive on my drawing board!”
To sketching, Kane adds observation. In the case of Swoop, Kane drew on his experience teaching students at the California College of the Arts. He noticed students didn’t sit, as much as they drape themselves across furniture, and they constantly rearranged their furniture for working, meeting, or socializing.
Under Kane’s pencil, a line of modular lounge seating took form. Composed of tables, chairs, and lounges, each piece designed to be arranged, and rearranged. Curved arms encourage relaxation, while discouraging students from setting their soda cans on the upholstery. And deliberately few seams reduce the places for crumbs to collect.
For Kane, “It’s all about comfort and innovation.” Two qualities evident in his designs for Swoop.
Check out Crafting Chairs For How We Sit Now to learn more about Brian Kane’s career designing furniture.