As a Japanese-American in a time when the world was at war, Isamu Noguchi embraced both sides of his heritage culturally and artistically; because of this, it is fitting that Isamu means courage.

During World War II, Noguchi voluntarily entered a relocation camp for Japanese-Americans in Arizona as a protest against the camps—and then was unable to get permission to leave. After seven months, he was granted liberation. “I was finally free,” he said gratefully. “I resolved henceforth to be an artist only.”

Much had happened during his internment, including with Noguchi’s art. He discovered that someone had “borrowed” his design idea for a three-legged table. To Noguchi’s protests, the borrower replied, “Anybody can make a three-legged table.” Noguchi designed one as only he could, balancing a freeform glass top on a curved, solid wood base. The ethereal result has been in production since 1948.

Most widely known for his sculptures made from any and every material, Noguchi’s artistic experimentations were diverse: from baby monitors to stage sets, children’s playgrounds to fountains. “I like to think of my work as having some kind of relevance, no matter how abstract or how small or how big,” said Noguchi. “It has a voice which other people can hear.”