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	<title>Herman Miller blog: Discover &#187; Maharam</title>
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		<title>Alexander Girard: Bringing Color to the Colorless</title>
		<link>http://www.hermanmiller.com/discover/alexander-girard-bringing-color-to-the-colorless/</link>
		<comments>http://www.hermanmiller.com/discover/alexander-girard-bringing-color-to-the-colorless/#comments</comments>
		<pubDate>Wed, 09 Nov 2011 21:58:02 +0000</pubDate>
		<dc:creator>David Foster</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Classic Herman Miller]]></category>
		<category><![CDATA[Girard]]></category>
		<category><![CDATA[Maharam]]></category>
		<category><![CDATA[Texile Design]]></category>

		<guid isPermaLink="false">http://www.hermanmiller.com/discover/?p=12838</guid>
		<description><![CDATA[Alexander Girard&#8217;s playful patterns and bright colors were a relief from the otherwise stodgy and often colorless domestic world of post-war America. Girard came to the attention of Herman Miller through his friendship with Charles Eames. In the 1940s the two men realized they had coincidentally designed almost identical modern radio cabinets and were both [...]]]></description>
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Alexander Girard&#8217;s playful patterns and bright colors were a relief from the otherwise stodgy and often colorless domestic world of post-war America.</p>
<p><a href="http://www2.hermanmiller.com/discoveringdesign/#topic=5" target="_blank">Girard</a> came to the attention of Herman Miller through his friendship with <a href="http://www2.hermanmiller.com/discoveringdesign/#topic=2" target="_blank">Charles Eames</a>. In the 1940s the two men realized they had coincidentally designed almost identical modern radio cabinets and were both experimenting with plywood chairs. Eames introduced him to <a href="http://www2.hermanmiller.com/discoveringdesign/#topic=3" target="_blank">George Nelson</a>, who invited Girard to join Herman Miller in 1952 as director of the newly created textile division.</p>
<p>Herman Miller was in need of modern fabrics to complement its modern designs. According to the company’s founder <a href="http://www2.hermanmiller.com/discoveringdesign/#topic=35" target="_blank">D.J. De Pree</a>, “[Girard] was the one to lend excitement to the designs of Nelson and Eames.” Girard saw his job simply as making life a little better through fabrics. Drawing inspiration from his architectural training, Girard developed a textile collection consisting of primary colors and geometric patterns. A colorful contrast to the prevailing style, the collection was a critical and market success.</p>
<p>Girard’s love of color, pattern, and texture, his gifted imagination and courage to express his own aesthetic freedom, made him an influential force in modernism. Girard was an artist and innovator who brought a human element of delight to everything he touched.</p>
<p>Many of Girard&#8217;s textile designs are being produced today by<a href="http://www.maharam.com/" target="_blank"> Maharam</a>.</p>
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		<title>The Beauty of Working With Maharam</title>
		<link>http://www.hermanmiller.com/discover/the-beauty-of-working-with-maharam/</link>
		<comments>http://www.hermanmiller.com/discover/the-beauty-of-working-with-maharam/#comments</comments>
		<pubDate>Mon, 25 Oct 2010 12:00:29 +0000</pubDate>
		<dc:creator>Susan Huls</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Maharam]]></category>
		<category><![CDATA[Materials program]]></category>
		<category><![CDATA[Textile Alliance Program]]></category>

		<guid isPermaLink="false">http://www.hermanmiller.com/discover/?p=7205</guid>
		<description><![CDATA[When Herman Miller’s Materials team asked the award-winning Maharam Design Studio to create some new proprietary textiles, the designers there did what they do best. They created three new textiles that demonstrate “the industrial beauty of what textiles can be,” says Mary Murphy, the Studio’s Vice President of Design. The Gloss, Glisten, and Gleam textiles [...]]]></description>
			<content:encoded><![CDATA[<p></a> When Herman Miller’s <a href="http://www.hermanmiller.com/Design-Resources/Materials">Materials</a> team asked the award-winning <a href="http://www.hermanmiller.com/Designers/Design-Studio">Maharam Design Studio</a> to create some new proprietary textiles, the designers there did what they do best. They created three new textiles that demonstrate “the industrial beauty of what textiles can be,” says Mary Murphy, the Studio’s Vice President of Design. </p>
<p>The Gloss, Glisten, and Gleam textiles use a simple structure that combines luster, sheen, and tonal combinations to accentuate Herman Miller’s neutral and metallic palettes. Plus the reflective qualities of the textiles will help our customers bring more light into the workspace.</p>
<p><a href="http://www.hermanmiller.com/discover/wp-content/uploads/Maharam_Materials1.jpg"><img src="http://www.hermanmiller.com/discover/wp-content/uploads/Maharam_Materials1.jpg" alt="" title="Gloss, Glisten, and Gleam textiles" width="480" height="313" class="alignnone size-full wp-image-7209" /></a><br />
According to Marsha Skidmore, Director of Materials at Herman Miller, “Partnering with Maharam’s design team brings the expertise of a premium textile company to our proprietary offer and gives the best value to customers for the Maharam touch on our products.”</p>
<p><a href="http://www.hermanmiller.com/discover/wp-content/uploads/MaharamDesignStudio.jpg"><img src="http://www.hermanmiller.com/discover/wp-content/uploads/MaharamDesignStudio.jpg" alt="" title="The Maharam Design Studio" width="480" height="209" class="alignnone size-full wp-image-7210" /></a><br />
Maharam also is part of Herman Miller’s <a href="http://www.hermanmiller.com/Design-Resources/Materials/Supplier-Programs">Textile Alliance Program</a>, which offers our customers a multitude of materials created from the best in the world of textiles. </p>
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