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Lifework

Join us for a conversation about where life and work meet.

Iris Anna RegnWriter

Architect Iris Anna Regn’s design practice investigates the individual within the larger community. She collaborates with her partner in their studio, and is cofounder of BROODWORK, a project that investigates the interweaving of creative practice and family life.

Iris's Posts

Balance, Design March 19, 2012

Ideal Live/Work Space: Leigh Jerrard

By Iris Anna Regn


Leigh Jerrard is a Los Angeles-based architect and sustainability consultant. After six years in Frank Gehry’s office and five years in the residential architecture firm Yeh + Jerrard, he founded Greywater Corps, a business where he designs and installs recycled water systems from the home he shares with artist Olga Koumoundouros and their six-year-old son Niko. Here he describes his ideal live/work space: one inspired by eco-friendly practices and ancient architectural solutions found in western India. Read more

Balance, Technology February 29, 2012

The Playlist: Leonardo Bravo

By Iris Anna Regn


Artist, educator, and curator Leonardo Bravo is Director of School Programs at the Music Center: Performing Arts Center of Los Angeles County. He also organizes and produces Big City Forum, an interdisciplinary project designed to bring together creative practitioners over issues related the social dimensions of art, design, and public space. As an artist and curator, he’s had a long history exhibiting at spaces such as the Santa Monica Museum of Art, the Whittier College Arts Gallery, Deep River Gallery, Barbara Davis Gallery (Houston, TX), POST LA, Michael’s Restaurant (Santa Monica, CA), and Fifth Floor Gallery. Here he talks about how music seeps into all his activities. Read more

Balance, Design, Products February 6, 2012

Home Office Tour: Andrew Byrom

By Iris Anna Regn


At a Pecha Kucha event for the American Institute of Graphic Artists last year, graphic designer Andrew Byrom presented a series of takes on what a business card should – and shoudn’t – be. His son passed out a wooden card made literally from “The Desk of Andrew Byrom.” Andrew’s witty presentation softened his rigorous rethinking of the function of graphic design, and the involvement of his 9-year-old son made it a family event. Currently, the Eames exhibition that Andrew curated and designed with Deborah Sussman for Pacific Standard Time is at the A+D Museum. Here Byrom speaks about his work, how he works, and Ray and Charles Eames.


You established your firm in 1997. What led to that point? After graduating from The University of East London in 1996, I worked briefly in the design department of Routledge, a leading academic book publisher. In 1997, I opened my own design studio in London and worked for various clients including Penguin Books, The British Academy of Composers and Songwriters, The Industrial Design Centre, Time-Out Online, and The Guardian newspaper. Around this time I also began teaching graphic design at The University of Luton and Central St. Martins.

I moved to the States in 2000 to teach at Northern Illinois University. In 2006, I moved to Long Beach, where I am a Professor at California State University. I divide my time between teaching, designing for various clients, and playing with my sons Auden, Louis, and Julian.

I have recently been commissioned to design typefaces and type treatments for The New York Times Magazine, UCLA Extension, and Sagmeister Inc.


Above: A quote from the Eames’ on Byrom’s dining room wall.

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