“When LACMA announced that they were doing a California design exhibition which overlapped with my area of focus in studying applied art I looked for ways to assist the show’s curators – my friends Wendy Kaplan, Bobbye Tigerman and Bill Stern,” says Ostroff. “With regard to Eames designs I appreciated how selective they were. They had already sourced an Eames surfboard coffee table from Joel and Margaret Chen who have been generous supporters and donors to LACMA at a very high level.”

The Chen’s Collecting Eames show which we wrote about here on Lifework is another Pacific Standard Time exhibition – this time devoted entirely to Ray and Charles Eames’ extraordinary body of work. It was the Chen’s who had the Hang It All in their extensive collection. “Connecting Bobbye and Wendy and Bill with Joel Chen was easy – we all know one another.”

Chen let the LACMA curators choose and they picked the one in the original box from the first year of production. “It is the only precisely dated example because it comes with its original box postmarked first year of production,” says Ostroff. “Plus the Eames Office designed the box and label. This is “new old stock” as the original buyer never used it.”

Photo credit: Box images by Grant Taylor

The Los Angeles Times recently ran a short piece on the growth of home offices. Apparently walk-in closets and spa-like bathrooms are out – work spaces are in. The story focuses on Southern California so you’ll notice lots of open airy spaces like the one above. Manhattan Beach architect Grant Kirkpatrick shares this home with his wife Shaya and their children. He designed over-sized folding doors to open the room up to their front courtyard.