What do you listen to while you work? All kinds of music. My tastes are very eclectic, but maybe “eclectic” is too much of a fancy word. A mish-mash really. I have never been a music guy so I am not sure if I am a good reference. I do not have an iPod, never had CDs, cassettes or LPs. I guess I never had the patience and time to grow and groom a music collection.

How do you listen? From the computer with speakers. Above is a picture of how we tried to make to look our cheap speakers look fancy with a piece of leftover bent ply (pictured top).

Do you have any favorite music websites/providers? I love the convenience and accessibility of Internet radio. I always end up listening to Radio Nova from Paris. I often go to Wefunk from Montréal and other Internet stations. One of my recent favorites is Attention Span, a jazz station.

Does music influence your work? It is hard to speak about a direct influence. It is more about energy level. I spend most of my time at the studio. Sometimes I need a boost; sometimes I need to be soothed. Just two random examples: The Specials will pump me up when I start to get tired. Beth Orton will help me stay in the zone, in that very special moment when you are so absorbed with your own work that you lose sense of time.

If your work was a song or a musician, what or who would it be? I am not sure which musician or song it would be, but there are specific instruments or sounds that I really relate to. Often those are sounds that have a spatial and spacey quality. In other words, sounds that have almost a 3D quality, which define a space in which I want to live and dream. For example, there is a recent version of “Summer Madness” by Kool and the Gang with a deep, floating synthesizer sound. I am totally addicted to it. I want to be part of that space. In Paris, there is this giant sphere at the Museum of Science and Industry (La Villette) with an ever-changing space-age sound rotating around it, composed by genius sound designer Louis Dandrel. The sound bounces back on the sphere and on the reflecting water pool around it and it is totally mesmerizing. Again, it defines more of a space than a sound, and I’d love my work (and myself) to be in it and not come back.

FRANÇOIS’ PLAYLIST

Everybody Loves the Sunshine, Roy Ayers

Mellow, Prince

Je Bois, Boris Vian

Aeroplanes, Serge Gainsbourg

Reality and Fantasy, Raphael Galuzzi/Gilles Peterson

Too Young To Die, Jamiroquai

Ashes To Ashes, David Bowie

Dear God 2.0, Roots/Monster of Folk

L’irréel, Alain Bashung

Blue Monday, New Order

Lady Day and John Coltrane (and the most of the “The Revolution Will Not Be Televised” album), Gil Scott-Heron

Private Life, Grace Jones

You Can Have Watergate Just Gimme Some Bucks And I’ll Be Straight, Fred Wesley & The J.B.’s

Images: Francis Dzikowski / Esto