Balance, Design, Products
December 1, 2011
By Cerentha Harris
The private art collector’s lounge and both public restaurants at this year’s Art Basel | Miami are populated with over 650 pieces from the Herman Miller Collection. You’ll find our brilliantly upholstered Eames dining chairs in pink and orange, the Eames Lounge Chair in white leather and creamy ash along with Noguchi’s iconic coffee table – with an ash base. Tuxedo sofas have been covered in a luxurious wool Girard fabric and they share the floor with crisp Nelson Coconut Chairs in black and white. And our new Magis pieces – Konstantin Grcic’s sculptural Chair One and Stool One are casting beautiful shadows all over the lounge area. It all feels just right for this buzzy fair – a celebration of the contemporary art scene with 260 galleries from all over the globe representing over 2000 artists.
From a Lifework perspective it is wonderful to see people “work” the fair. One man sank into an Eames Lounge Chair and pulled out his iPad and began furiously typing. A photographer spread out on the Tuxedo sofa and started downloading images to a laptop perched on the Noguchi.
Jack Schreur, Vice President of The Herman Miller Collection wandered the halls with me this morning before the crowds arrived. “The big theme is this - this is not about what used to be. Our presence here is about taking some of the most amazing pieces of furniture in the world and contemporizing them, showing how they live and work today. We arrange our technology around us instead of the other way around - it fundamentally opens up opportunities for all of this great furniture. It didn’t work great when you had to put an IBM Selectric out there to do your work but now … look at this.” Schreur points to a group leaning over a laptop, each perched comfortably on a Setu chair upholstered in deep red.
Look out for more Art Basel and Design Miami coverage over the next few days.
Design
August 8, 2011
By Cerentha Harris
Each year we take one of our timeless designs and reinterpret it for the Select program. Last year we offered the Eames Hang-It-All with walnut balls in place of the familiar colored ones. This year we have re-imagined George Nelson’s beautiful tray table, taking our inspiration from Nelson’s 1955 mid-century masterpiece, the Flock of Butterflies clock. We are also offering the tray separate to the table – something we’ve never done before.
The table was originally available in walnut or teak veneer. This version is in white ash, finished with a process that stops the wood from yellowing. For the inlay we used walnut and santos palisander veneers. The table’s column is made from brushed stainless steel with black umber steel legs. The table stands 17 inches high; the tray top is 18 inches in diameter. As with the original, the 2011 Select edition is presented in a special take-home container about the size of a pizza box.
Available as part of our Select program until February 6, 2012, or until supplies last.
Design
May 30, 2011
By Cerentha Harris
Yesterday was George Nelson’s birthday. The great designer, writer, thinker and collaborator became Herman Miller’s director of design in 1945. Nelson, who would have been 103, helped shape Herman Miller in the ’40s and ’50s working on every element of the business from the iconic logo we still use today to recruiting the likes of Ray and Charles Eames to design for the company.
I came across the portrait above by Californian artist Josie Portillo. She was inspired by a post on Nelson that appeared on the Amsterdam-based blog MidCenturyHome. I think Nelson would have gotten a kick out of the impact he is still having on the design community!
For more on Nelson David Foster has put a wonderful slideshow over on Discover. And don’t forget to check out our Discovering Design (the audio files are fascinating. You can hear Nelson discuss the Herman Miller logo and the origins of the wood slat bench).
And if you’re in San Antonio, Texas, the McNay museum will be exhibiting George Nelson: Architect, Writer, Designer, Teacher beginning June 8.
Clockwise from top left: Four of George Nelson’s designs. The Swag Leg Chair, Platform Bench, Swag Leg Desk, Coconut Chair
Balance
February 17, 2011
By Rebecca Niederlander and Iris Anna Regn
Dear Aeron Chair,
How do you do it? I’m 5’2” and my hubby is 6’3”; and yet we can share our love of you equally. Who could cradle us better than you? You, who understand that a long term relationship requires a partner to be flexible, to roll with any situation, and to support even under stress. I can’t wait to celebrate our titanium anniversary.
Love,
Rebecca (and Mike)
Dear Roll-Top Desk and Chair,
I was six when I met you two in my father’s studio. With you I was high enough to look out the window and over the city. You shared your pencils and paper and I felt like I could be an artist or a teacher or an astronaut.
Love,
Iris
Design, Products
February 16, 2011
By Cerentha Harris
We’ve written about Discovering Design before – it’s a great collection of pictures, stories and video from the Herman Miller archives. I was particularly taken by the story behind Isamu Noguchi’s glass-topped table. I didn’t know he’d spent time in an internment camp or that there was an early version of the table that existed before George Nelson stumbled upon the design in Noguchi’s studio. Below you’ll find Noguchi’s words excerpted from his 1968 autobiography, A Sculptor’s World, which was rereleased in 2004.
“I went to Hawaii in 1939 to do an advertisement (with Georgia O’Keefe). As a result of this, I had met (T.H.) Robsjohn-Gibbings, the furniture designer, who had asked me to do a coffee table for him,” Noguchi remembered. “I designed a small model in plastic and heard no further before I went west.”
Noguchi with his wife Yoshiko (Shirley) Yamaguchi on the veranda of their house and his studio, Kita-Kamakura, Japan, ca. May–December 1952.
Noguchi was Japanese-American and going west refers to his internment in the Poston, Arizona, concentration camp during World War II. While he was interned, Noguchi said he was surprised to see a version of the small plastic model he had done for Robsjohn-Gibbings published as an advertisement for the English designer. “When, on my return, I remonstrated, he said anybody could make a three-legged table,” said Noguchi. “In revenge, I made my own variant of my own table.”
Noguchi and his wife standing outside Charles and Ray Eames’ house.
The “variant” Noguchi designed was used to illustrate an article, written by George Nelson, called “How to Make a Table.” Nelson had seen the table some months earlier at Noguchi’s studio. Dropping in to see his good friend, Nelson found him working on a piece he intended to give his sister for her birthday. Noguchi had cut a piece of scavenged glass for the top and made a base using two identical pieces of wood fitted together by a single pin. Nelson liked the organic shape. By 1947, the table became part of the Herman Miller product line. It reflects Noguchi’s belief that “everything is sculpture. Any material, any idea without hindrance born into space I consider sculpture.”
“To limit yourself to a particular style may make you an expert of that particular viewpoint or school, but I do not wish to belong to any school,” he said. “I am always learning, always discovering.”
The Noguchi Table with a cherry base.
Photo credits top to bottom: Noguchi at work via Vitra. Noguchi coffee table via Herman Miller Discovering Design. Noguchi and his wife via Unframe. Noguchi outside the Eames house via Architectural Ruminations.
Balance, Products
February 15, 2011
By Heather John
Dear Nelson Swag Leg Work Table,
We’ve been together now for the past six months, and yet I still get butterflies when I see you standing there each morning. Sure, you’ve got great legs, but behind that walnut veneer lies a solid foundation—one upon which we shall surely write history together. Happy Valentine’s Day.
Yours, Heather
Design
November 23, 2010
By Christine MacLean
On November 4, the Art Directors Club inducted designer, architect, and author George Nelson posthumously into its Hall of Fame. Every two years the Club honors individuals who have made “significant contributions to art direction and visual communications, and whose lifetime achievements represent the highest standards of creative excellence.” The others inducted this year include Fabien Baron, creative director; Matthew Carter, typographer; and Brigitte Lacombe, photographer.
Nelson is a big part of Herman Miller’s history. He was director of design here from 1946–1971 and he designed many iconic pieces, including the coconut chair, the marshmallow sofa, and the platform bench. And we think his design philosophy—“total design is nothing more or less than a process of relating everything to everything”—is more relevant than ever.
If you’re in New York, you can see works by the new inductees free of charge at the ADC Gallery until November 23, 2010.
Nelson’s work is also part of the Museum of Modern Art’s permanent collection.
First published on Discover.
Design, Products
October 19, 2010
By Cerentha Harris
At ICFF this year we launched the reissued Basic Cabinet Series – a very elegant storage solution designed by George Nelson.
When it launched originally, in 1946, the wooden cabinets met the needs of a generation who would come to embrace the clean modern lines of contemporary designers like Nelson and the Eames. Today we’ve relaunched the series because we recognize again a need for modular, hard-working designs that allow for a genuine flexibility. And also a desire for beautiful pieces that enhance the way we live. We think the cabinet series does all that!
Design, Products
May 15, 2010
By Cerentha Harris
While all the action may seem to be centered squarely on New York there are a number of online events all of you can participate in. Check out the George Nelson 5-drawer cabinet with door that we are auctioning off on EBAY. It’s sitting at $475 right now.
Also on EBAY you’ll find Operation Design’s painted Eames molded plywood chairs. I spotted them in the window at Barneys last night and if I can just find the right cord I can get the pics off my camera and onto the blog! (If anyone is here at ICFF with a cord that links a Canon camera to a Mac feel free to stop by.)
Design, Products
May 12, 2010
By Cerentha Harris
We don’t usually flag items on EBAY for you. But we’ve posted this piece! It’s the Nelson Cabinet (BCS 3440.LWA2U), constructed of solid wood with walnut finished veneer, black wood legs and aluminum pulls. And it is part of the soon-to-be-reintroduced line of 1949 George Nelson Basic Cabinet Series (BCS). The unit has a bank of 5 drawers with wooden slides (original detail) and one door with two adjustable interior shelf that can be positioned in three locations. The size is 34” height x 40”wide x 18.5” deep. Shipping within North America is included free.
This particular piece also contains a reproduction of George Nelson’s signature, as well as the production date (May 2010) hand printed inside the top drawer. It also comes with a certificate of authenticity signed and dated by the Herman Miller Classics Product Manger and Design Facilitator.
All proceeds from this auction will go to the newly formed George Nelson Foundation (stay tuned for more on the Foundation).
